Several weeks ago, there was a discussion introduced on the Ephemera Network about business cards. Frank DeFreitas, whose holography specialty of ephemera is found at Antiquarian Holographica, invited participants to join the group Business, Trade & Calling Cards and to share examples. I submitted the card below from Thomas W. Durston, Bookseller, of Syracuse, New York. I have found references to Durston's book shop in the 1880s, so the card dates from about that time to possibly the turn-of-the-century.
This is a die-cut piece of ephemera, which means a press was used with a specialized cutting tool (die) to cut and create the fan shape from the paper used for the card. I have two more of these from the same bookseller, only in different colors:
The ubiquitous bookseller symbol, the owl, is present in the design, but this one is holding or playing what looks like a mandolin. I'm not sure what that represents, nor am I sure about the fishing frog's role in representing this business, but they do a good job of making the card interesting. But as interesting as it might be, there is a collection of trade cards that just blows these samples away for artistic appeal.
On the aforementioned Ephemera Network, Tom Murphy, of Encore-Ephemera, shared a link to an ephemera site called Sheaff : Ephemera, created by Boston artistic director, typographer, and stamp designer Richard D. Sheaff. He is also a prolific collector of ephemera and features on his Web site a stunning collection of cards under the tab Artistic Printing Album.
When you're done feasting your eyes on those beauties, which may be awhile, be sure to click the Artistic Printing page for an interesting and informative article on the Artistic Printing movement, developed by British and American letterpress printers during the Victorian era.
Stephen H. Wakeman: American Literature Enthusiast - Stephen H. Wakeman “If you can get that,” said Mr. Wakeman, “all right. But remember that the collection is to be offered to no one but Mr. Morgan. . . ...
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