ephemera related to books their owners, sellers, publishers, printers, binders, etc.
Houston Book Fair at the Museum of Printing History
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Here's the most recent addition to my collection of bookish ephemera, an ad mailer for the 11th Annual Houston Book Fair at the Museum of Printing History, Saturday, November 9, 2013.
Cataloging books the other day, I came across an 1890s multivolume set called Messages and Papers of the Presidents . Inside one of the volumes was a slip of printed paper with a bookbinder's message: How to Open a Book . The set was published by the Government Printing Office, so they are the likely source of this piece of paper, which reprints a passage from a publication titled, Modern Bookbinding . No other bibliographical detail is included for that title, but I have found a magazine from that era, Modern Bookbinding and Their Designers . No clue, though, as to the author of this particular piece. You might wonder (I did) why there would be a need for instructions to open a book. And if you put those instructions inside the book, doesn't that defeat the purpose somewhat? Opening a book is not as easy as you might think. At least if you read these instructions and try to follow them. Here's the gist of it in the opening run-on sentence: Hold the book with its back on a
A favorite piece in my Bibliophemera collection is an unused postcard illustrated by Ukrainian artists Romana Romanyshyn and Andriy Lesiv. It features two interesting, whimsical creatures embracing each other while maintaining engagement with their books. Cat-like and bird-like, one in high heels and one barefoot, one with a long tail and prominent ears and one with tail feathers and no visible ears, both with beaks, and both with books. They can’t put their books down even in this intimate moment. Appropriately, they are labeled Bookaholic and Bibliophile. Might they even be an imaginative rendering of the artists themselves? Romana and Andriy were both born in Lviv, Ukraine in 1984 and continue to live and work there. The illustration on the postcard is a fitting depiction of their artistic lives where books and their illustrations comprise their passion for illustration, book design, and writing. Together, they started Art Studio Agrafka in Lviv where they have produced award-win
Having recently corresponded with Frank DeFreitas over at Antiquarian Holographica about certain historical sites in Philadelphia, I guess the Philly force was with me yesterday when I was out scouting for books. I found a decent copy of The Story of Young Benjamin Franklin , by Wayne Whipple (Henry Altemus Company, Philadelphia, 1916). Whipple wrote a series of children's books portraying famous Americans such as Washington, Lincoln, and Franklin. He also wrote about American icons such as the Liberty Bell and the American Flag. I might have passed on the Franklin book if not for what was tucked inside as a bookmark--a contemporary brochure from the publisher, Henry Altemus. There's a little character at the top of the first page, standing next to a row of books and with a book in hand, he exclaims, An Altemus book and nothing to do until tomorrow. Oh, joy! The brochure opens up into a front-and-back listing for Altemus' 20th Century Books for Boys and Girls. One side lis
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