Bibliophemera

This slim catalogue of books from a private collection was published by the Walden Book Shop in Chicago sometime during the Great Depression if I'm reading the references correctly in the introduction to the catalogue, signed A Busted Bibliophile (with apologies to A.E.N). A.E.N. is Alfred Edward Newton (1864-1940), prolific bibliophile from Philadelphia and author of books about books and book collecting. "A Busted Bibliophile" refers to George H. Sargent's "A Busted Bibliophile and His Books: Being a most Delectable History of the Diverting Adventures of that Renowned Book Collector A. Edward Newton of Doylesford in Pennsylvania, Esquire." The Walden Book Shop was owned by a co-operative started by novelist and short story writer Sherwood Anderson as the Chicago Co-Operative Bookstores Company. The Waldenbooks chain in later decades had no relationship to the Chicago co-op. By 1932, in the throes of the Great Depression, the book shop in the Michigan Squar...

This small sample book, 2.5 X 3.5 inches, has seven examples of the buckram cloth produced at the Norwood, Massachusetts mill, which became popular for library binding and rebinding. The Democrat Printing Co. in Madison, Wisconsin is named on the front cover as a vendor of the product, circa early decades of the 20th century. The Holliston Mills story, dating back to the 1890s, is found here at the Norwood Historical Society: https://norwoodhistoricalsociety.org/holliston-mills.../

  Charles Keller Reed (1851-1921) immersed himself in nature from an early age. This led to work in taxidermy, which encouraged his interest in ornithology, natural history, and art. He later wrote, edited, and published books about birds, many of which were illustrated by his son, Chester Albert Reed. I wonder if Chester illustrated the stationery for his father's business correspondence. A site devoted Chester A. Reed, offers a well-researched article by Michel Chevalier on Chester K. Reed's fascinating life and work with ornithology and books. https://chester-reed.org/.../charles-k-reed-businessmant.../ Boost post Like Comment Send Share

This is the bookplate for Clare Ryan Talbot (1899-1981), an avid collector of bookplates, who devoted her professional life to collecting, appraising, selling, writing, and researching bookplates. She also ventured into allied enterprises with bookselling, antiques, and publishing—each incorporating bookplates into the mix. This bookplate was reserved for her books about California only, as she noted in pencil on the back of the bookplate. Below that note, she also translated the Spanish above the illustration on the front, “La Candela del Señor” to “Candles of the Lord.” Her bookplate was engraved by James Elwood Webb (1884-1940), a Los Angeles artist and owner of an engraving and stationery shop, who painted in addition to designing and engraving bookplates. Interestingly, another Californian, Margaret Ely Webb (1877–1965) has been linked with James Webb as the designer of a bookplate residing in a collection at Kent State University’s Special Collections and Archives Library (...

A favorite piece in my Bibliophemera collection is an unused postcard illustrated by Ukrainian artists Romana Romanyshyn and Andriy Lesiv. It features two interesting, whimsical creatures embracing each other while maintaining engagement with their books. Cat-like and bird-like, one in high heels and one barefoot, one with a long tail and prominent ears and one with tail feathers and no visible ears, both with beaks, and both with books. They can’t put their books down even in this intimate moment. Appropriately, they are labeled Bookaholic and Bibliophile. Might they even be an imaginative rendering of the artists themselves? Romana and Andriy were both born in Lviv, Ukraine in 1984 and continue to live and work there. The illustration on the postcard is a fitting depiction of their artistic lives where books and their illustrations comprise their passion for illustration, book design, and writing. Together, they started Art Studio Agrafka in Lviv where they have produced award-win...

  An 1870 billhead for A.C. Stockin, New England agent for Harper & Bros. Educational Publications, would be a rather unremarkable document of Boston business history were it not for the woodcut in the upper-left corner. In addition to dressing up the old paper receipt, that illustration provides a window into Boston's rich publishing and bookselling history as well as an introduction to the artist who created the woodcut--S.S. Kilburn. The engraving reveals an active corner of publishing and selling books. In addition to the Old Corner Book Store, there is Boston Map Store and A. Williams & Co., Publishers and Booksellers. Noticeably missing, though, is signage for A.C. Stockin, whose billhead hosts Kilburn's woodcut. Kilburn's choice of engraving subject seems odd in light of the fact that his client's place of business is not pictorially represented on their business correspondence paper. However, A.C. Stockin was just up the street a few blocks from the Old ...